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Information about #F4F295 color

#F4F295 color image

Basic facts about this digital color

The digital color #F4F295 is classified in the Register under the Yellow Color Family, with High Saturation and Very Light brightness. Its exact recipe is rgb(244, 242, 149) — 95.7% red, 94.9% green, 58.4% blue — and for print it converts to CMYK 0 / 1 / 37 / 4. Curious how these numbers work? Read our RGB color codes guide.

#F4F295 presents itself as a energetic, saturated yellow — one that appears airy and pastel-like. It is a natural fit for clean interfaces where content needs room to breathe. In The Official Register of Color Names it is practically indistinguishable from Milan (#F6F493). Its next-closest registered neighbors are Portafino (#F4F09B) and Picasso (#F8EA97).

Technically, the mix leans on its red channel (rgb(244, 242, 149)), which gives #F4F295 its character. If you plan to put text on a #F4F295 background, choose black — the contrast ratio is 18.0:1 (passing WCAG AAA), while white manages only 1.2:1. Like most of the 16.7 million digital colors, this one is still waiting for a name — naming it takes a minute.

#F4F295 color variations

View this color variations of tints, shades, tones and hues.

#F4F295 color harmonies

Color harmonies are pleasing color schemes created according to their position on a color wheel.

Complementary

Complementary color schemes are made by picking two opposite colors con the color wheel. They appear vibrant near to each other.

Complementary color schemes

Split complementary

Split complementary schemes are like complementary but they uses two adiacent colors of the complement. They are more flexible than complementary ones.

Split complementary color scheme

Analogous

Analogous color schemes are made by picking three colors that are next to each other on the color wheel. They are perceived as calm and serene.

Analogous color scheme

Triadic

Triadic color schemes are created by picking three colors equally spaced on the color wheel. They appear quite contrasted and multicolored.

Triadic color scheme

Tetradic

Tetradic color schemes are made form two couples of complementary colors in a rectangular shape on the color wheel.

Tetradic color scheme

Square

Square color schemes are like tetradic arranged in a square instead of rectangle. Colors appear even more contrasting.

Square color scheme

Nearest named colors to #F4F295

The closest officially registered color names in the Register, ordered by similarity — your shade’s neighborhood is already being claimed.

Milan color link
Milan

#F6F493

Portafino color link
Portafino

#F4F09B

Picasso color link
Picasso

#F8EA97

Soft Yellow color link
Soft Yellow

#EEEE9B

Pale Prim color link
Pale Prim

#F9F59F

Drover color link
Drover

#FBEB9B

Cool Yellow color link
Cool Yellow

#ECEA98

Flavescent color link
Flavescent

#F7E98E

Dark Cream color link
Dark Cream

#FFF39A

Warm Yellow color link
Warm Yellow

#F4E98C

Soft Lemon color link
Soft Lemon

#FCF99C

Conversions between color systems and etc.

  • HEX#F4F295
  • RGB244, 242, 149
  • CMYK0, 1, 37, 4
  • CSSrgb(244, 242, 149)
  • HSL59°, 81%, 77%
  • HSL Precise58.737°, 81.197%, 77.059%
  • HSV59°, 39%, 96%
  • HSB59°, 39%, 96%
  • Normalized R (0.0–1.0)0.957
  • Normalized G (0.0–1.0)0.949
  • Normalized B (0.0–1.0)0.584
  • GLSLvec3(0.957, 0.949, 0.584)
  • GLSL with alphavec4(0.957, 0.949, 0.584, 1.000)
  • HLSL / Metalfloat3(0.957, 0.949, 0.584)
  • Percentage of Red in RGB95.7%
  • Percentage of Green in RGB94.9%
  • Percentage of Blue in RGB58.4%
  • Color FamilyYellow
  • Saturation FamilyHigh Saturation
  • Lightness FamilyVery Light
  • HEX IDF4F295
  • DECIMAL ID16052885
  • Name LengthThis color has no name
  • This page visited9 times
  • Counting from2025-01-01