Information about #564C48 color

#564C48 color image

Basic facts about this digital color

The digital color #564C48 is classified in the Register under the Orange Color Family, with Desaturated and Neutral brightness. Its exact recipe is rgb(86, 76, 72) — 33.7% red, 29.8% green, 28.2% blue — and for print it converts to CMYK 0 / 4 / 5 / 66. New to color codes? See our guide to RGB color codes.

#564C48 presents itself as a quiet, subdued balanced grey tone — one that sits comfortably between light and dark. In practice it works well for understated, calm designs that favor harmony over drama. In The Official Register of Color Names it is practically indistinguishable from Rough N Tumble (#5B4C48). Nearby in the Register you will also find Matterhorn (#524B4B) and Touchstone (#524F46).

The recipe behind #564C48 is rgb(86, 76, 72), with red as the dominant ingredient. If you plan to put text on a #564C48 background, choose white — the contrast ratio is 8.3:1 (passing WCAG AAA), while black manages only 2.5:1. On paper it relies strongly on black ink (K:66), so proof dark layouts before a large print run. #564C48 has no official name yet. If this shade means something to you, you can be the one to name it.

#564C48 color variations

View this color variations of tints, shades, tones and hues.

#564C48 color harmonies

Color harmonies are pleasing color schemes created according to their position on a color wheel.

Complementary

Complementary color schemes are made by picking two opposite colors con the color wheel. They appear vibrant near to each other.

Complementary color schemes

Split complementary

Split complementary schemes are like complementary but they uses two adiacent colors of the complement. They are more flexible than complementary ones.

Split complementary color scheme

Analogous

Analogous color schemes are made by picking three colors that are next to each other on the color wheel. They are perceived as calm and serene.

Analogous color scheme

Triadic

Triadic color schemes are created by picking three colors equally spaced on the color wheel. They appear quite contrasted and multicolored.

Triadic color scheme

Tetradic

Tetradic color schemes are made form two couples of complementary colors in a rectangular shape on the color wheel.

Tetradic color scheme

Square

Square color schemes are like tetradic arranged in a square instead of rectangle. Colors appear even more contrasting.

Square color scheme

Nearest named colors to #564C48

The closest officially registered color names in the Register, ordered by similarity — your shade’s neighborhood is already being claimed.

Matterhorn color link
Matterhorn

#524B4B

Touchstone color link
Touchstone

#524F46

Winchester color link
Winchester

#514E4A

Tabac color link
Tabac

#585044

Dune color link
Dune

#514F4A

Mondo color link
Mondo

#554D42

Alcatraz color link
Alcatraz

#5A504B

Emperor color link
Emperor

#50494A

Gray Wolf color link
Gray Wolf

#504A4B

Conversions between color systems and etc.

  • HEX#564C48
  • RGB86, 76, 72
  • CMYK0, 4, 5, 66
  • CSSrgb(86, 76, 72)
  • HSL17°, 9%, 31%
  • HSL Precise17.143°, 8.861%, 30.98%
  • HSV17°, 16%, 34%
  • HSB17°, 16%, 34%
  • Normalized R (0.0–1.0)0.337
  • Normalized G (0.0–1.0)0.298
  • Normalized B (0.0–1.0)0.282
  • GLSLvec3(0.337, 0.298, 0.282)
  • GLSL with alphavec4(0.337, 0.298, 0.282, 1.000)
  • HLSL / Metalfloat3(0.337, 0.298, 0.282)
  • Percentage of Red in RGB33.7%
  • Percentage of Green in RGB29.8%
  • Percentage of Blue in RGB28.2%
  • Color FamilyOrange
  • Saturation FamilyDesaturated
  • Lightness FamilyNeutral
  • HEX ID564C48
  • DECIMAL ID5655624
  • Name LengthThis color has no name
  • Seen by search & AI crawlers14 times
  • Counting from2025-01-01